Debussy - Prelude a L'apres-Midi D'un Faune Release:Prelude a L'apres-Midi D'un Faune Fuga Libera Label which (next to the "Orfeo")

which (next to the "Orfeo") played a very important role in the history of the genre

the chronicle of a gradual process of personal apocalypse

rebirth and recreation

a newly written 20-minute tribute to the composer's soundworld by Jeroen van Veen

Working with Telefon Tel Aviv co-founder Josh Eustis at his Pasadena studio

Debussy - Prelude a L'apres-Midi D'un Faune Release:Prelude a L'apres-Midi D'un Faune Fuga Libera Label which (next to the "Orfeo")Marius Constant, who had an intimate knowledge of DeBussy's Pellas et Mlisande, published Impressions de Pellas, published in 1992 an abridged version for six singers and two pianists. In an intense flow of music, he telescopes the five acts with great finesse, removing a few scenes and making a fair number of cuts and a few minimal adjustments to the musical material. For the scenography, he suggested, "We are in an early twentieth century salon."