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The most striking features of his approach are his seemingly endless breath control and his slight emphasis upon consonants
and away from the confines of the church service
Seivewright strongly believes that the works were specifically written for the pianoforte rather than harpsichord due to their frequent need for sostenuto and other factors
During the summer of 1883 Richard Strauss composed two large-format orchestral works in traditional genres
"High in the Andes
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